Oh ocean I do hear you Your message beats the rocks Who would contain you You keep coming Barriers withstand your pleas To be heard amongst the noise Sometimes birds or maybe ships All at once demand attention What importance holds your message Only that you’re here
Cradling trees Tall and majestic Lost inside limbs strong Crumpled leaves rest for a moment and away Blows through your wooden arms I pass through now Tunneling into your darkness A pattern of light Peeks from afar The headlights of my mind Guide my way Out the other side Briefly sheltered by you Out again on my own Thankful for the moment
Paused in the shade
The knowing ivy drinks in the moisture I only smell
Rich with green life
Whose gift flows through stems and leaves
Makes for me a canopy
Shades the sun, cools the earth beneath
Simply nature at home
Taking its place among the neighborhood of trees and bushes and grass
I walk only through it
Am I of it
I feel but a guest
Invited to look
Nay to keep
Beautiful Losersbegins with archival footage shot as early as the 1980’s. It tells the story of outsiders who came together and found common ground in a small New York City storefront gallery. These individuals, with diverse backgrounds, including sub cultures like skateboarding, hip hop, surf, graffiti and punk began to invent their art. With no real training they established trends in pop culture based on their Do It Yourself (DIY) backgrounds. Today many of these non-traditional artists have become mainstream in the Pop Culture area and are sought after for various types of projects including art exhibits and by advertising agencies. Shepard Fairey, Ed Templeton, Harmony Korine, Mike Mills, Barry McGee, Chris Johansoon, Geoff McFetridge, Jo Jackson, Magaret Kilgallen, Stephe Powers and Thomas Campbell are names you may or may not recognize. However, their work is unmistakable in style and content.
This documentary is unique in that the artists seen in Beautiful Losers, turned filmmakers and documented themselves along the way. Aaron Rose uses that footage along with interviews to create a history of the artists, their progress and ultimate notoriety and success. This is mainly a linear journey which at times seems to slow the very interesting and informative film down. Beautiful Losers is not very cinematic in it’s storytelling approach. There is no real sense of beginning and middle, although it does build up in the last minutes to an inspirational end. This is not to say what is presented isn’t interesting and valuable. There is a pattern of talking heads illustrated with archival “B” roll that feels redundant in what it has to say about the process these artists went through. What the documentary lacks is very much action. In some respects it feels like it was edited to fit a 90 minute time frame.
The editing in Beautiful Losers is a mundane mix of interviews, archival footage taken over the years, of varying quality, and “B” roll. Beautiful Losers is essentially a compilation documentary building on archival footage taken by the artists of themselves over the years. The footage does give you a feel for what it was like for these since they came together in the eighties but it does slow down the film. Ken Burns as said that sometimes it’s good to slow things down, so that the intent of the shot becomes apparent, “that meaning accrues in duration.” Unfortunately that idea only works when the footage speaks for itself. In some cases the archival footage does speak for itself but there is so much of it that the pace stops being engaging. However, the interviews themselves are good and the artists involved project their personalities, views and ideas. The interviews combined with seeing the work is the best quality of this documentary.
Despite these storytelling difficulties Beautiful Losers is worth seeing because it ultimately has a message that creative people in the arts will be able to relate. The work of Fairey, Tempelton, Margaret Kilgallen and others is seen over time becoming more sophisticated. Their thoughts about their work and how they relate to main stream art is also important. In the end their work is setting trends in the advertising of many products that you may be surprised to see. They face becoming mainstream and part of the establishment. and not rebels in their Pop Culture world. Some seem to enjoy the new fame and fortune others eschew it but can’t turn down the money.
If you are involved in any area of the arts this is a documentary well worth seeing. Beautiful Losers is both entertaining and informing.
BEAUTIFUL LOSERS -2008 – 90 MINUTES – DIRECTED BY AARON ROSE
TRAILER
Beautiful Losers
Create Documentary Films, Videos and Multimedia: A Comprehensive Guide to Using Documentary Storytelling Techniques for Film, Video, the Internet and Digital Media Projects.
I am an artist and have been making and teaching art most of my life.. It is really who I am and in my senior years I realize that my personal philosophy about the act of creating a work of art is not about the skill of translating exact replica’s of Natures images, but rather making visible, the invisible joys, sorrows and wonders of life, fully experienced by the art maker.
The two following excepts seem to epitomize that concept for me and I share them with you. So much has been written about art on so many often quite opinionated levels. But art just IS and we know it not just when we see it, but when we feel it! And it can nourish us the viewer in many personal ways as it tells our story.
The first excerpt is from a book “Life, Paint and Passion” by Michele Cassou and Stewart Cubley. I used the book as a guide in teaching my class ”Artplay for Adults”, offered at the Cancer Caring Center for cancer survivors, of which I am one. Both the students and myself enjoyed this experience of making expressive art from our inner selves and being at one with both the media and the message.
“Paintings must be viewed on the same ground which they were created——their aliveness, their energy, their vulnerability—in order to be appreciated. The visible painting is just an echo of a much greater process. What is reflected in the forms, images, and colors is the by-product of a journey that has taken place on an inner landscape. The real painting has been created on the canvas of the psyche; the true artistic product is the personal transformation that has taken place within the painting experience itself.”
And secondly, I find the following, this offering by Muhammad Ali, in it’s simplicity so deeply inspiring.
“And so it has taken me all of sixty years to understand that water is the finest drink, and bread the most delicious food, and that art is worthless unless it plants a measure of splendor in people’s hearts”
Relationships flicker by as light
Stops for a look
Leaves and splintered wood basks in their touch
Only staying a minute or a second
Time measures it’s metered rest
Poof and we are returned to earthly tomes
To ponder the thoughts coming
Stopping them can’t be done
Trying stops shortly
Only remain the thoughts
Building houses in the space
Left by occasional voids
Conscious openings laying the framework
Tidying up after layers added
The door locked for now